Two things jumped out at me when I opened this book. Firstly, there was no dedication (which wasn’t surprising as Ackroyd didn’t dedicate his previous book) and secondly, someone had scrawled on the front page of the book, ‘donation Jan 12′. These three words made me think ‘Who donated it? Why this book? How do you donate books to a library, do you just hand it in or do you donate money and a librarian chooses what to buy?’
At the beginning of this book, I was intrigued. It tells of a young boy called Timothy who lives in London with his only father as his mother died in child birth. He helps his father to heal people, not knowing that he too possesses healing powers. His world is a microcosm of social outcasts and failures. As he does not go to school, his friends are adults who are devoted followers of his father, who healed them. His father tries to educate his son in English music, or rather, English arts. This book is a celebration of English music, literature and art but unfortunately, it is poorly delivered.
After Ackroyd sets up Timothy’s insular world, he falls asleep whilst his father reads to him. We are told that his father usually reads Alice in Wonderland or The Pilgrim’s progress to him. It is unclear which book is read to Timothy as he falls asleep. The story then switches from first person to third person as Timothy’s dream is narrated. He dreams that he is in the same surreal landscape as Alice in Wonderland. There are Alice and Christian (the protagonist from Pilgrim’s Progress) who escort Timothy through changing landscapes in which there are strange occurrences.
At first I was disappointed that this sudden change took place as I was enjoying the main story before the dream sequence. Ackroyd managed to capture the dismal existence of society’s outcasts and their desperation to feel part of a group, so I had hoped that this dream interlude was a one-off.
As I read on, Timothy is suddenly taken away to live with his maternal grandparents in the countryside and goes to school where he makes a friend with Edward, who calls himself a cripple. Edward is determined not to be defined by his condition that he inherited from an ancestor.
Timothy hardly sees his father as he grows up but after Timothy finishes school, he returns to London in search of his father. It is a poignant and sad story about discovery and inheritance and whether to accept or fight against what you were given. Timothy inherits powers from his father and effectively, his career, yet Edward battles against his inherited disability and his ‘inheritance’ of his father’s job in the local village.
This story is very engaging but the tempo is broken by the interludes of Timothy’s dreams. The dreams follow the style of whomever Timothy is reading, watching, listening to just before he falls unconscious. The dreams are long and left me feeling bored. At one point, I started to skim over a particularly long dream about English music, which was probably the main point of the book. It was very annoying as this book would have been very good if it weren’t for the dreams. It felt as if Ackroyd’s publisher had told him to make his story longer so he filled it in with dreams.
Ackroyd tries to excuse these dreams with an arrogant statement at the beginning of his book, stating that the ‘scholarly reader will soon realise that I have appropriated (management speak for copied) passages from… the alert reader will understand why I have done so’. To be honest, you don’t need to be alert, you just need to read it. It was pretty obvious what Ackroyd was doing but it was like he was trying too hard to lecture the reader.
It is all very well and good showing off how clever you are, but not to the detriment of the story. Unlike Ackroyd’s previous book, this ambitious idea doesn’t quite make it.